6/18/2023 0 Comments Free download column krater![]() ![]() Facing each other, they both extend their right arm as if in conversation. The right foot of the satyr at left disappears into the side frame.ī. ![]() ![]() The maenad moves to right looking back and is dressed in a chiton decorated with a row of dots in the lower part and a himation. They gesture with their free hands as if in discussion. Nude satyrs flank the maenad and grab her shoulders. Overhang of rim, A: In black silhouette, two pairs of a lion and a boar.Ī. Resting surface and underside of foot reserved. Outside foot black, except for lower part. The frame defines the panel only on three sides, without a groundline. Figural decoration on the body is set in panels framed by a double row of dots between black lines at the sides, by a tongue pattern on the shoulder at the junction with the neck, and by a red line running around the vase. On neck: A, black ivy vine between two black lines in a reserve panel B, black glazed. Overhang of rim on side B is decorated with a double row of dots between lines. Top of rim has a black ivy vine on reserved background. Rim slightly convex on top with a vertical overhang a flat handle plate extending beyond the rim at each side supported by two columns ovoid body ogee foot. Paul Getty Museum according to Museum documentation at the time of acquisition, Blaugrund bought this and a number of other objects at Parke-Bernet and Christie’s in the 1950s, but the krater has yet to be identified in any sale catalogue of the period. –1981, Robert Blaugrund (Los Angeles, California) 1981, donated to the J.
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